Paul Outerbridge y el color // Paul Outerbridge and the color

Paul Outerbridge, Self-portrait on Lounge, Oceanside Resort, Santa Monica, California, circa 1950

“Una diferencia muy importante entre el color y la fotografía monocromática es esta: en blanco y negro sugieres, en color afirmas. La sugestión puede implicar mucho, pero la afirmación exige certeza… absoluta certeza.”
— Paul Outerbridge

//

“A very important difference between color and monochrome photography is this: In black and white you suggest, in color you affirm. The suggestion can involve much, but the assertion requires certainty… absolute certainty.”
— Paul Outerbridge

2_Paul_Outerbridge

Paul Outerbridge Airport Café with Band Mexico 1950

Paul Outerbridge, Airport Lounge, Mexico, circa 1950

Paul Outerbridge, Carnival Carriage, Mexico, circa 1950

"Lulu Belle", Restaurant and Bar, Las Vegas, c. 1948

“Lulu Belle”, Restaurant and Bar, Las Vegas, c. 1948

Gas Station, Mazatlan, Mexico, c. 1952

Gas Station, Mazatlan, Mexico, c. 1952

3. Women by Car, Laguna Beach, c. 1950

3. Women by Car, Laguna Beach, c. 1950

Woman with Turquoise Dress, Laguna Beach, California, c. 1952

Woman with Turquoise Dress, Laguna Beach, California, c. 1952

Woman with Blue Dress and Pendant Necklace, Laguna Beach, c. 1952

Woman with Blue Dress and Pendant Necklace, Laguna Beach, c. 1952

Man at Travel Agency, Mexico, c. 1950

Man at Travel Agency, Mexico, c. 1950

(via: http://ojoacromatico.blogspot.com.es/2016/07/paul-outerbridge-pionero-maldito.html)

One thought on “Paul Outerbridge y el color // Paul Outerbridge and the color

  1. Pingback: sugestión monocromática y certeza en color – V O I C E

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